The idea of the quantified self is not a new one at all. Capturing data on steps, heart rate, weight etc is something that a lot of people do on a regular basis. I’ve been slowly taking this on board for over a year. It started with just step counting but now extends to all manner of data. However, in the last few months I’ve began to extend this into a new concept which I call ‘the sonified self’, that might be something that already exists, but if it does I’m not aware of it. This involved the capture of data, again like steps, motion, heart rate etc and turning that data into sound, or in fact music when that’s possible
I’ve been experimenting with this idea for a few months now, and more recently I think some of my experiments have got to the point where I might even share them. Not in this post, but perhaps in the coming weeks.
Before I do share some of the experimental output I plan to go into more detail about how the process works for me, or at least the component parts of the process and the technologies involved in it. As you might imagine the process involves a number of different devices and apps. However, in the centre of all of this is an app called Holonist. Holonist is in many ways the operating system for my ‘sonified self’ concept. Without it the whole process would not hang together at all.
Holonist really deserves a post all on its own. It’s a complex piece of software and I have barely scratched the surface of it. There’s a lot more to learn and experiment with, and I’m very aware that I am at the start of what could be a long journey.
The next post on this topic will probably focus entirely on the Holonist app itself, after that I’ll cover the process, and, hopefully by then I’ll be able to share some output.
If this doesn’t mean anything to you then don’t worry. I have to admit it’s a very obscure niche. Sonifying the bio data from plants might seem odd, esoteric even, but to me it’s something really interesting.
I remember seeing MIDI Sprout on Kickstarter, but felt that the price point was prohibitive. However, I always felt that it was something that I wanted to try out. So I watched for one on eBay, and finally one came up at a reasonable price. So I bought it and it worked beautifully.
The little video is with a coffee plant. My plan is to try the MIDI Sprout with a range of different plants to see if there are noticeable differences in each plant’s musical output. As and when I do I’ll post the results. Probably with video too.
However, this isn’t the only kind of sonification project I have on the go, but more of that another time.
This is undoubtedly my favourite album of all time. It is a work of tremendous and rare beauty, and every time I listen to it I am stunned by just how complete and unique it is.
I listen to it only when I have the time to devote myself entirely to listening to it without distraction, as it just isn’t the kind of music that you can listen to in the background. At least that’s my opinion.
However, I’ve recently just sat down and read the poems that are an integral part of Uncommon Deities. On their own they are incredibly beautiful. As a part of the whole they’re even better. But even so, I really enjoyed reading them in isolation.
I’ve been playing with Endlesss for a little while now. A few weeks anyway. To begin with I wasn’t sure quite what to make of it. Now I’m beginning to realise that I’ve only just scratched the surface and that there is a huge amount more that I can do with it, and also that I can do with others, after all, it is collaborative.
The idea of Endlesss is really simple. You create what Endlesss calls ‘Jams’. Each jam is like a track, except it isn’t. It is much more than that. A jam consists of ‘riffs’ (or it may be ‘rifffs’, I’m not sure). Each of these is like a moment in time when you add something to the jam, and as you build these up, adding instruments etc, you get a journal of sorts showing how this track (I use that term simply for ease) has developed and changed.
Here’s what the journal looks like
In isolation that’s pretty interesting in itself. But the more impressive feature is that you can take any point in the journal and then take your jam in a different direction. For me this is probably the most interesting aspect of Endlesss.
As you can see there are a number of different iterations of this jam and they’re grouped by date. This makes taking ideas in different directions very easy.
This is a little journey back in time to before there were iPhones, and when PDAs were big. Ok, not big perhaps, but prevalent to a degree. Back then there were a few applications (we didn’t call them apps back then), that were for music, but, to be honest, they were few and far between. Also there was no standard architecture for things like plug ins on mobile. So it was an interesting time.
One of the most interesting and advanced was Griff. It was a Windows Mobile application, and it had a unique architecture, at least in terms of mobile applications. Griff was essentially a sequencer with a plug in architecture allowing it to be highly extensible.
There was also a reasonable number of these plug ins too. Mainly synths, but also samplers and drum machines. It was very cool in a world before iOS music making.
Whilst it’s not completely abandoned, the web site is still there. It isn’t what it quite was, but you can still find things, and you can still download things I think.
Whilst it’s understandable that Griff is no longer a going concern I still feel a little wistful about it. I remember first discovering it, although I was late to the party. It was a real revelation, and I actually bought a more powerful Windows Mobile PDA to be able to use it.
This is a good project for these times. Especially if you have an old Windows Mobile PDA hanging around. As I do!
A new album from one of my favourite bands, “Blancmanage”. Waiting Room (Volume 1).
Apparently this is a collection of songs that didn’t fit anywhere else. I can understand how that happens. It makes sense to me. I bought it, mainly to support Blancmange in these strange and troubled times. I didn’t expect much, but, on the whole, these are pretty good tracks.
They certainly have a feel of not really fitting together, and, if this makes any sense at all, that sort of binds them together. In a ‘not really binding together’ way. Which I will admit makes no sense either.
I’ll listen to them again soon(-ish), and I may even write something more about this collection of songs. Who knows.
I bought this single last week, and I’ve been playing it a lot ever since. It’s actually really good. In fact, it’s a lot like the kind of music I think that Neil Arthur should be making with Blancmange. So it was a big strange really to be listening to it when it wasn’t by…
It’s good to hear that Neil Arthur is doing even more music. Hot on the heals of the latest Blancmange album ‘Commuter 23’ (I’m still listening to it and thinking about how I feel about it), he’s into a new musical exploit called ‘Near Future’. I just missed out on getting a signed CD of…
I still think that this is a really innovative app for iOS (before it was called iOS of course), and I wish it had been kept up to date, but sadly that was not to be.
I was taking a look at it again on my old iPhone 3G, and decided to look it up. I found that whilst the app wasn’t maintained for iOS it is available as a Max patch, and also for Pd as well. Which is really cool.
I thought you might be interested. You can find both patches here.
I was glad to get along to this. I can’t say that I’m a huge fan. In fact, it was really only 2018 when a friend asked me if I wanted to come along and see them live. I went. I was really impressed. It was an amazing night.
Since then I’ve listened to bits and pieces, including, very recently, the entire “In Search of Hades” box set. Which was quite a big thing to listen to. So I thought it would be worth checking this out.
To say that this was a small exhibition would be something of an understatement. It was to be honest, tiny. It is tucked away in the Barbican library music section. Now there’s nothing wrong with that, but I do think that a band of this stature really deserves better. Perhaps something thoughtfully curated. Something that provides a deeper understanding to the music, the ideas behind it, the process itself?
Personally I’d like that. This, at the Barbican, was fine as a taster, but essentially it wasn’t enough. I understand why it was small, but I do think that someone like the Barbican could have done more to make this something to celebrate and show what an enormous contribution this band has made to electronic music specifically, but also to music making and musicians in general.
I’ve now made it through the whole of January and made a single 1 minute track on every day. It’s been quite and interesting process, and, I’ve started to learn more about using Wotja, which was always my intention. I’ve lots more to learn though.
I make a lot of music, very little of which I share anywhere these days. For the most part I make music for my own enjoyment, which is much more productive I feel. Anyway, I digress. The point of this is that at the start of the year I decided that I would try to make a small track each day with an app that I really like and enjoy. It’s called Wotja.
Wotja is a generative music system for iOS, although it’s been around a lot longer than that. I’ve actually been a fan of it since around 2007, which kind of puts things in perspective. Of course it’s changed a lot since I first started using it.
Anyway, once again I digress a little. The point of this is that I started on the 1st of January, and so far I’ve kept it up the whole time. So here’s the first. I’ll post the others, probably in small batches, periodically. Hopefully I’ll manage to keep it up all year too.