This is undoubtedly my favourite album of all time. It is a work of tremendous and rare beauty, and every time I listen to it I am stunned by just how complete and unique it is.
I listen to it only when I have the time to devote myself entirely to listening to it without distraction, as it just isn’t the kind of music that you can listen to in the background. At least that’s my opinion.
However, I’ve recently just sat down and read the poems that are an integral part of Uncommon Deities. On their own they are incredibly beautiful. As a part of the whole they’re even better. But even so, I really enjoyed reading them in isolation.
I’ve been playing with Endlesss for a little while now. A few weeks anyway. To begin with I wasn’t sure quite what to make of it. Now I’m beginning to realise that I’ve only just scratched the surface and that there is a huge amount more that I can do with it, and also that I can do with others, after all, it is collaborative.
The idea of Endlesss is really simple. You create what Endlesss calls ‘Jams’. Each jam is like a track, except it isn’t. It is much more than that. A jam consists of ‘riffs’ (or it may be ‘rifffs’, I’m not sure). Each of these is like a moment in time when you add something to the jam, and as you build these up, adding instruments etc, you get a journal of sorts showing how this track (I use that term simply for ease) has developed and changed.
Here’s what the journal looks like
In isolation that’s pretty interesting in itself. But the more impressive feature is that you can take any point in the journal and then take your jam in a different direction. For me this is probably the most interesting aspect of Endlesss.
As you can see there are a number of different iterations of this jam and they’re grouped by date. This makes taking ideas in different directions very easy.
This is a little journey back in time to before there were iPhones, and when PDAs were big. Ok, not big perhaps, but prevalent to a degree. Back then there were a few applications (we didn’t call them apps back then), that were for music, but, to be honest, they were few and far between. Also there was no standard architecture for things like plug ins on mobile. So it was an interesting time.
One of the most interesting and advanced was Griff. It was a Windows Mobile application, and it had a unique architecture, at least in terms of mobile applications. Griff was essentially a sequencer with a plug in architecture allowing it to be highly extensible.
There was also a reasonable number of these plug ins too. Mainly synths, but also samplers and drum machines. It was very cool in a world before iOS music making.
Whilst it’s not completely abandoned, the web site is still there. It isn’t what it quite was, but you can still find things, you can still download things I think.
Whilst it’s understandable that Griff is no longer a going concern I still feel a little wistful about it. I remember first discovering it, although I was late to the party. It was a real revelation, and I actually bought a more powerful Windows Mobile PDA to be able to use it.
This is a good project for these times. Especially if you have an old Windows Mobile PDA hanging around. As I do!
A new album from one of my favourite bands, “Blancmanage”. Waiting Room (Volume 1).
Apparently this is a collection of songs that didn’t fit anywhere else. I can understand how that happens. It makes sense to me. I bought it, mainly to support Blancmange in these strange and troubled times. I didn’t expect much, but, on the whole, these are pretty good tracks.
They certainly have a feel of not really fitting together, and, if this makes any sense at all, that sort of binds them together. In a ‘not really binding together’ way. Which I will admit makes no sense either.
I’ll listen to them again soon(-ish), and I may even write something more about this collection of songs. Who knows.
I still think that this is a really innovative app for iOS (before it was called iOS of course), and I wish it had been kept up to date, but sadly that was not to be.
I was taking a look at it again on my old iPhone 3G, and decided to look it up. I found that whilst the app wasn’t maintained for iOS it is available as a Max patch, and also for Pd as well. Which is really cool.
I thought you might be interested. You can find both patches here.
I was glad to get along to this. I can’t say that I’m a huge fan. In fact, it was really only 2018 when a friend asked me if I wanted to come along and see them live. I went. I was really impressed. It was an amazing night.
Since then I’ve listened to bits and pieces, including, very recently, the entire “In Search of Hades” box set. Which was quite a big thing to listen to. So I thought it would be worth checking this out.
To say that this was a small exhibition would be something of an understatement. It was to be honest, tiny. It is tucked away in the Barbican library music section. Now there’s nothing wrong with that, but I do think that a band of this stature really deserves better. Perhaps something thoughtfully curated. Something that provides a deeper understanding to the music, the ideas behind it, the process itself?
Personally I’d like that. This, at the Barbican, was fine as a taster, but essentially it wasn’t enough. I understand why it was small, but I do think that someone like the Barbican could have done more to make this something to celebrate and show what an enormous contribution this band has made to electronic music specifically, but also to music making and musicians in general.
I’ve now made it through the whole of January and made a single 1 minute track on every day. It’s been quite and interesting process, and, I’ve started to learn more about using Wotja, which was always my intention. I’ve lots more to learn though.
I make a lot of music, very little of which I share anywhere these days. For the most part I make music for my own enjoyment, which is much more productive I feel. Anyway, I digress. The point of this is that at the start of the year I decided that I would try to make a small track each day with an app that I really like and enjoy. It’s called Wotja.
Wotja is a generative music system for iOS, although it’s been around a lot longer than that. I’ve actually been a fan of it since around 2007, which kind of puts things in perspective. Of course it’s changed a lot since I first started using it.
Anyway, once again I digress a little. The point of this is that I started on the 1st of January, and so far I’ve kept it up the whole time. So here’s the first. I’ll post the others, probably in small batches, periodically. Hopefully I’ll manage to keep it up all year too.
When this first came out I can remember buying it. It was such an exciting idea. A magazine that you could listen to! It was a revelation. I didn’t buy many of them. It wasn’t cheap, or at least I didn’t really have the money back then. But I’m pretty sure I bought a few of them.
Sadly, as they were on tape, I eventually recorded over them, and they’ve been lost along the way. So one day I had a look for them on eBay, and of course, there were quite a few available. After a while I’ve got hold of one of the ones I wanted.
So far I haven’t played this, I’m half expecting it to jam up the mechanism, and perhaps I won’t actually even try. We’ll see.