I’ve been a fan of the Mute Synth from Dirty Electronics since the very first one. I’ve got 3 now, Mute Synth 1, Mute Synth 2.0, and now the 4.0. It’s certainly the most complex of the Mute range, and, after a very brief play I think it has some very interesting possibilities.
I’m also interested to see how it can work with Mute Synth 2.0. Hopefully I’ll get to experiment with that in the not too distant future.
I went along to this event fairly early, so I think that there were probably a few things I didn’t get to see. Even so it was pretty good and there were definitely some excellent pieces there which were very inspiring. So I’m pleased I got along there.
The Forbidden Planet is one of the most amazing science fiction films. One of the best elements is the music, or rather the soundscapes. From when I first saw the movie I loved how it sounded. Electronic Sound magazine published this 7″ and I knew I had to have it. It’s a lovely disk.
They also published a piece on the music in their magazine. It was a really good read too.
I actually got these two working a long time ago, and they do work quite well, if being a bit limited, but they’re fun and that’s fine.
However, I was thinking the other day that I should give it a go with some of the other little modular things I have. The colossus sequencer has a CV out so should work with some of my other bits and pieces.
It’s been an age since I used my molecule synth, and I was surprised to find that it actually still powered up too. It powered by batteries, 9 volt PP3 batteries, and they all still work. That’s quite impressive.
Anyway, it’s good to get back to it and experiment with it a bit again. It feels like there’s a lot more to experiment with too. So expect some more on this soon.
I do like my Olegtron. It’s a load of fun, but the results haven’t been too predictable. Normally that’s fine. In fact I like the idea of sounds that surprise, but on the other hand it’s nice to be able to plan what you want to make and how it might work. Well in my most recent session with the Olegtron it’s actually been a little bit more predictable, and I think I’m starting to get the hang of how to get certain types of pattern out of it. Which is real progress for me.
So I expect to have some example videos up soon to show the latest sounds and patterns I’ve got from it.