If this doesn’t mean anything to you then don’t worry. I have to admit it’s a very obscure niche. Sonifying the bio data from plants might seem odd, esoteric even, but to me it’s something really interesting.
I remember seeing MIDI Sprout on Kickstarter, but felt that the price point was prohibitive. However, I always felt that it was something that I wanted to try out. So I watched for one on eBay, and finally one came up at a reasonable price. So I bought it and it worked beautifully.
The little video is with a coffee plant. My plan is to try the MIDI Sprout with a range of different plants to see if there are noticeable differences in each plant’s musical output. As and when I do I’ll post the results. Probably with video too.
However, this isn’t the only kind of sonification project I have on the go, but more of that another time.
I’ve been playing with Endlesss for a little while now. A few weeks anyway. To begin with I wasn’t sure quite what to make of it. Now I’m beginning to realise that I’ve only just scratched the surface and that there is a huge amount more that I can do with it, and also that I can do with others, after all, it is collaborative.
The idea of Endlesss is really simple. You create what Endlesss calls ‘Jams’. Each jam is like a track, except it isn’t. It is much more than that. A jam consists of ‘riffs’ (or it may be ‘rifffs’, I’m not sure). Each of these is like a moment in time when you add something to the jam, and as you build these up, adding instruments etc, you get a journal of sorts showing how this track (I use that term simply for ease) has developed and changed.
Here’s what the journal looks like
In isolation that’s pretty interesting in itself. But the more impressive feature is that you can take any point in the journal and then take your jam in a different direction. For me this is probably the most interesting aspect of Endlesss.
As you can see there are a number of different iterations of this jam and they’re grouped by date. This makes taking ideas in different directions very easy.
This is a little journey back in time to before there were iPhones, and when PDAs were big. Ok, not big perhaps, but prevalent to a degree. Back then there were a few applications (we didn’t call them apps back then), that were for music, but, to be honest, they were few and far between. Also there was no standard architecture for things like plug ins on mobile. So it was an interesting time.
One of the most interesting and advanced was Griff. It was a Windows Mobile application, and it had a unique architecture, at least in terms of mobile applications. Griff was essentially a sequencer with a plug in architecture allowing it to be highly extensible.
There was also a reasonable number of these plug ins too. Mainly synths, but also samplers and drum machines. It was very cool in a world before iOS music making.
Whilst it’s not completely abandoned, the web site is still there. It isn’t what it quite was, but you can still find things, you can still download things I think.
Whilst it’s understandable that Griff is no longer a going concern I still feel a little wistful about it. I remember first discovering it, although I was late to the party. It was a real revelation, and I actually bought a more powerful Windows Mobile PDA to be able to use it.
This is a good project for these times. Especially if you have an old Windows Mobile PDA hanging around. As I do!
I still think that this is a really innovative app for iOS (before it was called iOS of course), and I wish it had been kept up to date, but sadly that was not to be.
I was taking a look at it again on my old iPhone 3G, and decided to look it up. I found that whilst the app wasn’t maintained for iOS it is available as a Max patch, and also for Pd as well. Which is really cool.
I thought you might be interested. You can find both patches here.
I’ve now made it through the whole of January and made a single 1 minute track on every day. It’s been quite and interesting process, and, I’ve started to learn more about using Wotja, which was always my intention. I’ve lots more to learn though.
I’ve been playing with Roli Blocks again, and this time, I’m actually getting into it. I’m starting to find it quite useful and creatively inspiring. It is early days as yet, but I’m getting some results.
So I thought I’d share some very small videos of what I’ve been doing.
It’s a great shame that Allihoopa has now gone dark. It was a great service. I made some good use of it, but not as much as I would’ve liked. I guess that’s a bit of a reminder for me. That is just the way it goes of course.
So I thought I’d grab all of my content from the site before it went down. I rendered all of my tracks to video, and then I added them to a 1 second video mash up. So here’s one minute and 20 seconds of tracks I uploaded to Allihoopa.
Another track from me that you can now find on Spotify, or Bandcamp, or SoundCloud, so take your pick as to where you listen to it.
The track was made entirely in an iOS app called Auxy, which is one of my favourite apps for writing whole tracks. It’s very intuitive and easy to use, whilst still giving you enough depth to get a lot done.
The track art is a photo I took on a flight home just after leaving Belfast airport. It seemed like the ideal image to go along with the sentiment of the track.
I’ve finally managed to get a release out on Spotify. That is to say, I managed to get it out at the end of last year. It’s called ‘Dream Draw‘. You can have a listen by heading over to Spotify. I hope you like it.
All of the tracks were made on mobile using Aurora Sound Studio on an iPhone and iPad. Various effects were used during the creation of the EP. I quite like it.