And the plants are singing to me

If this doesn’t mean anything to you then don’t worry. I have to admit it’s a very obscure niche. Sonifying the bio data from plants might seem odd, esoteric even, but to me it’s something really interesting.

I remember seeing MIDI Sprout on Kickstarter, but felt that the price point was prohibitive. However, I always felt that it was something that I wanted to try out. So I watched for one on eBay, and finally one came up at a reasonable price. So I bought it and it worked beautifully.

The little video is with a coffee plant. My plan is to try the MIDI Sprout with a range of different plants to see if there are noticeable differences in each plant’s musical output. As and when I do I’ll post the results. Probably with video too.

However, this isn’t the only kind of sonification project I have on the go, but more of that another time.

A very small Tangerine Dream exhibition

I was glad to get along to this. I can’t say that I’m a huge fan. In fact, it was really only 2018 when a friend asked me if I wanted to come along and see them live. I went. I was really impressed. It was an amazing night.

Since then I’ve listened to bits and pieces, including, very recently, the entire “In Search of Hades” box set. Which was quite a big thing to listen to. So I thought it would be worth checking this out.

To say that this was a small exhibition would be something of an understatement. It was to be honest, tiny. It is tucked away in the Barbican library music section. Now there’s nothing wrong with that, but I do think that a band of this stature really deserves better. Perhaps something thoughtfully curated. Something that provides a deeper understanding to the music, the ideas behind it, the process itself?

Personally I’d like that. This, at the Barbican, was fine as a taster, but essentially it wasn’t enough. I understand why it was small, but I do think that someone like the Barbican could have done more to make this something to celebrate and show what an enormous contribution this band has made to electronic music specifically, but also to music making and musicians in general.

No more littleBits

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Last year I decided that I wasn’t doing anything interesting with my collection of littleBits components and modules, so I finally gave them up and sold them. I hope that they’ve all gone to good homes.

They were fun, and very useful at times. I did enjoy them, but I think I had got to a point where I’d stopped doing anything creative with them.


Mute Synth 4.0

I’ve been a fan of the Mute Synth from Dirty Electronics since the very first one. I’ve got 3 now, Mute Synth 1, Mute Synth 2.0, and now the 4.0. It’s certainly the most complex of the Mute range, and, after a very brief play I think it has some very interesting possibilities.

I’m also interested to see how it can work with Mute Synth 2.0. Hopefully I’ll get to experiment with that in the not too distant future.

A bit more about using Kastle synths live

I thought I’d post a little more about the set up for the gig I played at Cafe Oto earlier in the week. I thought it might be useful or interesting to see the devices I used.

Originally, when Robyn asked me to do this, I thought I would use these plus an Olegtron 4060 (MK I). In the end the Olegtron was too complex and difficult to change patches with any speed.

So ended up with the 2 Kastle synths, a 1.0 and a 1.5. Actually the mix of the two is really good and works very well. Patching across the two devices makes for some very interesting possibilities.

What I’ve realised is that I really need a simpler way to load patches. Not physically of course, but a way to record patches. I thought that taking pictures would help, and it did, but it wasn’t the easiest way to recreate a patch. My next thoughts were to write down the patched information. That was my solution for the Cafe Oto gig, and it worked ok. But only ok.

So now I think I’m going to have to create my own patch sheets for the Kastle 1.0/1.5, and, when I do, I will post some templates here.

Robyn’s Rocket at Cafe Oto

On Wednesday I had the rare privilege of playing live at Cafe Oto with the amazingly talented Robyn. She is a gifted trumpet player and had a whole night of acts at Cafe Oto. I’ve been there many times and seen some amazing artists, so to play there myself was incredible.

It was a really great night too. Robyn was, of course, amazing. My small part was to bring some improvised electronics in the form of a couple of Bastl Instruments Kastle synths. To be precise a 1.0 and a new 1.5 Kastle. These little synths are amazing and incredibly versatile. There’s so much you can do with them.

Hopefully I’ll be able to get some of the footage and sound from the gig. When I do, I’ll be sharing that.

The start of a modular thing

This is something that I’ve been putting off for a long time now. Mainly as just about everyone I’ve spoken to about modular synths just tells me it sucks every last penny from you and you’re never really finished in any meaningful way. Which is a shame. So you can understand why I might decide not to go down this route. However, after a series of events and triggers I have finally given in with what can only be called a modest initial set up, and one that is in keeping with my largely mobile aspirations.

The set up is inside a lunchbox. So it’s pretty small, and almost all of the modules are from Music Thing Modular, so it is a fairly esoteric modular set up.

I hope to have some kind of output to show for it in the not too distant future, but for now I thought I’d at least post some pictures.

Messing around the with Molecule

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It’s been an age since I used my molecule synth, and I was surprised to find that it actually still powered up too. It powered by batteries, 9 volt PP3 batteries, and they all still work. That’s quite impressive.

Anyway, it’s good to get back to it and experiment with it a bit again. It feels like there’s a lot more to experiment with too. So expect some more on this soon.