I can’t exactly remember when I started liking Blancmange, but it was pretty early on. Probably when they first appeared on something like ‘Top of the Pops’. I’ve liked them ever since. When they made they’re somewhat unexpected comeback I was very happy indeed. Since then the output has been steady and I believe I’ve bough everything.
This latest release, ‘Mindset’, arrived this morning, although it was actually released yesterday. I listened to it yesterday, and it is a solid album. My initial impressions are it is very good and will probably grow on me.
I’m pleased that Blancmange is still going, and pleased to be able to support them wherever I can. In the current climate there are many artists who are suffering and those of us who love and appreciate music need to do whatever we can to support the people who help to give meaning to us. It’s important.
A new album from one of my favourite bands, “Blancmanage”. Waiting Room (Volume 1).
Apparently this is a collection of songs that didn’t fit anywhere else. I can understand how that happens. It makes sense to me. I bought it, mainly to support Blancmange in these strange and troubled times. I didn’t expect much, but, on the whole, these are pretty good tracks.
They certainly have a feel of not really fitting together, and, if this makes any sense at all, that sort of binds them together. In a ‘not really binding together’ way. Which I will admit makes no sense either.
I’ll listen to them again soon(-ish), and I may even write something more about this collection of songs. Who knows.
I bought this single last week, and I’ve been playing it a lot ever since. It’s actually really good. In fact, it’s a lot like the kind of music I think that Neil Arthur should be making with Blancmange. So it was a big strange really to be listening to it when it wasn’t by Blancmange.
I’m looking forward to Near Future making a full album, especially if it’s anything like the single it’ll be brilliant.
It’s good to hear that Neil Arthur is doing even more music. Hot on the heals of the latest Blancmange album ‘Commuter 23’ (I’m still listening to it and thinking about how I feel about it), he’s into a new musical exploit called ‘Near Future’. I just missed out on getting a signed CD of their first single, which was annoying. Never mind. I’ll have to wait for it to come out later in the month.
It came out yesterday and I listened to the whole thing whilst I was out and about. I think that this is an album that is going to need a lot more listening. A lot more consideration. It isn’t just a bunch of electronic pop songs. There’s some deep stuff in there that requires careful and diligent listening, not just consuming.
It’s difficult to find time to do that kind of listening, but, as I’ve been a fan of Blancmanage for a very long time now, it’ll be worth it I’m sure. So when I’ve done that. I’ll let you know what I really think.
I’ve been listening to Jack Knife, and Last Night I dreamt I had a Job, both interesting. I’m looking forward hearing the whole album when it comes out, but sadly I won’t make the live shows this year. That’s a shame really.
This is excellent news. I’m really pleased that they’re making music. I’ve enjoyed the last few things they’ve done and gone to see the tours each year since they started back. So the new album will be called Commuter 23. I’m looking forward to it, and to their tour too.
Which is great. I think I need to hear it again and reacquaint myself with it. I hope it does well for Blancmange, and I really hope that they bring some new music out in 2016. I’ve really enjoyed the new stuff and how they’ve revisited their original material too.
Anyway, let’s add it to a playlist on Spotify then.
I do like instrumental albums, and I enjoyed listening to this one from Blancmange. Not something they’ve particularly been known for in the past. Having said that, one of my all time favourite pieces from them is an instrumental. ‘Sad day’ is a stunningly beautiful piece in my opinion.
Anyway, this instrumental album is rather lovely in places and I’ve quite enjoyed hearing it. As with many instrumental albums I’ve found it all too easy to get distracted from the actual listening process and so it’ll need further and more diligent listening I feel. However, it’s off to a good start, and it isn’t something that’ll be consigned to dark places of my music collection.