I’ve been reading this book very slowly, mainly because it is in many ways just a dictionary, albeit a fantastic dictionary. Honk is a dictionary of ‘sound-words’, which is now something of a forgotten art. What need to we have any more of describing a sound when we can just hear it online somewhere within seconds.
Sound-words are fantastic though, they’re fantastical awesome constructions to help you imagine a sound.
The book brings together words from around the UK and the world for that matter. The words come from all ages too. So, if you enjoy sounds and have an interest in words too, this book may well be for you. I can safely say that I thoroughly enjoyed it.
I was given this book as a present a while ago. I hadn’t heard about the book, or the recordings before this, so it was a very nice surprise.
I’ve just finished reading the book. It’s short. Very short, but very readable, and very engaging indeed. Bits of it made really me smile, and I can thoroughly recommend it if you’re a fan of Laurie Anderson, or if you appreciate her style of music and performance.
It made me think about what an audio diary or audio journal would be, or indeed should be. It raised some interesting questions about what constitutes meaningful and engaging sound. These are all good questions. I don’t have any answers as yet, but they’re definitely on my mind, and, as and when I do have some answers, I’ll let you know.
One of my all time favourite 4th Doctor episodes is “The Robots of Death”. It’s a great story and has some truly fantastic lines. It has been followed up a couple of times as far as I’m aware. One of the follow ups was “Corpse Marker“, a BBC audio book which I was really excited about, but fundamentally didn’t deliver on its promise and was, in the end, a real disappointment.
The next one I’m away of is “Robophobia”, which is a 7th Doctor story from Big Finish. I’m not a big 7th Doctor fan and so I haven’t heard this one. Perhaps I should give it a listen.
Now there’s “Sons of Kaldor”, the first story in the latest season of the 4th Doctor from Big Finish. I was a bit nervous about this story. I didn’t want to face the same disappointment as I had with “Corpse Market“. I didn’t need to worry about that. “Sons of Kaldor” has a very similar tone and pace to the original Robots of Death, it’s been carefully thought through and at its core it’s a good story.
The most important thing is that I really enjoyed it, and it’s a good start to volume one of this season. I’ve now listened to all of the stories and they’re a good bunch, and well worth listening to.
I’ve been waiting for this for some time now, and really looking forward to it. Today it is released, and I’ll almost certainly be buying it today.
In preparation for series 6 I decided to listen to all previous 5 series in order. That’s the Big Finish series of course, not the original television series or the remake. I thought it would be a good wait to get ready and have the timeline and stories straight for series 6. I’d forgotten just how good Big Finish have made survivors. They’ve done an amazing job on it. It’s totally consistent with the original and yet extends it seamlessly.
When I’ve absorbed series 6 I’ll let you know the verdict.
I’m a big fan of Big Finish, and only very rarely do they drop their standards, and even when that does happen it’s only dropping a little bit. In fact, on the whole the standard is so high any drop is really noticeable. However, on this occasion I have to confess I’m almost at a loss for words.
I’ve been enjoying Big Finish’s Torchwood output since they started with season one, and so I bought this episode on good faith. But all I can say about it is that it is so far beneath their normal standard that I almost can’t believe that they made it at all. I also can’t fathom out why they’d want to make this story. It has none of the regular characters in it, it’s set somewhere completely different, and it shows none of the characteristic Torchwood elements to it.
I can’t begin to understand why Big Finish made this. I just hope that it’s a blip. If it isn’t then that’s a real problem.
Since Philip Hinchcliffe came back to do stories with Big Finish I’ve been really impressed with the results. So I was truly looking forward to hearing this latest story. I started it off and was quite interested to begin with although I did find the story a little formulaic. In fact the whole of the first episode was a little disappointing. At this point I was a bit worried about the story and if it would indeed live up to expectations.
But it was around the mid-point of the story that it felt like it had really turned and was just like the rest of the Hinchcliffe stories, which are excellent.
I’m pleased that i was wrong about this story, I’m glad that it turned out ok and wasn’t a dud. That would be terrible.
Another new Big Finish audiobook. I haven’t listened to this one as yet either that but I’m a big fan of what Big Finish have done with the Torchwood franchise.