I think that this is a really amazing device and it’s doing so well on Kickstarter. I’ve posted about it a lot on PalmSounds, but was impressed and wanted to add it here too. Also, Tangible Instruments did a very nice thing. They included PalmSounds …
It was quite interesting actually. I filled a lot of gaps in my knowledge about modulars. However, it still hasn’t made me really want one. I can understand the ideas behind them and I can understand why they are popular, but I still don’t want to commit to getting one. Perhaps it’s because I’ve never actually got my hands on one so I’m not hooked as yet. Who knows.
Still, it was interesting to watch and hear some of the views of a few artists I really respect.
And it looks really interesting and like a good update from 5.5. But before upgrading I have to ask myself if I’m actually going to make enough use of this update to make it worthwhile. So far I’m not doing anything really interesting with Reaktor so I’m sitting on the fence about getting the upgrade. There’s always the argument that actually the upgrade itself will make me make something interesting with it, but I’m even struggling to get myself to believe that!
I think I’ll leave it for a couple of months and see what I feel like then.
This is one of those things that I’ve been meaning to see for ages. So when I discovered it was on Netflix that became a lot easier. So I thought I’d mention it in case you were thinking of seeing it too and didn’t know it was there.
When I’ve finally got around to watching it I’ll let you know what I think too.
Moog Soundlab residency: Iain Forsyth & Jane Pollard Performance
After being at one of these performance I’d booked to go again, expecting, not unreasonably, for it to be of a similar format to the previous Moog Soundlab event at the Ace Hotel in Shoreditch. I was wrong. At least, I was for the most part wrong. It was similar in the sense that there was the same enormous (or at least enormous by my standards) Moog modular rig being used. However, I was different in more or less every other aspect.
To illustrate I took a photograph of the letter that every received (on their chair as they arrived) and were asked to read.
Moog Soundlab residency: Iain Forsyth & Jane Pollard Performance … the letter
I think you’ll agree that this is really quite unusual. As were the two glasses of gin that did arrive and were, at least to my taste, nothing like the gin I’m used to.
In fact, as an event it was more like something I might see at the Edinburgh Fringe Festival, rather than in London, so from that perspective, I loved it.
Moog Soundlab residency: Dave Colohan – The Modular
This was a lovely little event, and when I say little I really do mean it. The audience was tiny in a tiny little basement bar at the Ace hotel in Shoreditch. It’s a nice venue though. The performance lasted a hour and was very interesting and used a lot but not all the equipment.
More modular stuff
I find it interesting to watch a modular performance like this to see how the music is actually generated and sustained. It isn’t like normal performances at all of course. Quite different indeed.
Modular beauties at Moog Soundlab residency
The arrangements were lovely, with people’s names on their booked seats.
My seat at Moog SoundLab
And on each seat was a thing called a “dream machine”, which was a strange light contraption sitting on a turntable. It made an interesting effect though.
Dream machine at Moog SoundLab residency
So it was an enjoyable evening, good fun, interesting to watch and different environment too.
On the theme of the bC16 I thought I’d post this very useful image of the control layout. It will be the start point for all my patches too as it is very clear and simple.