Nonclassical: Listening to Place at the Barbican

I found out about this event from an email from ‘Cities and Memories’, and, as someone who is very interested in field recording I was keen to go along. Also as a Londoner I need little persuasion to head to the Barbican.

This was more than just a performance though. This was a whole day about field recording, comprising multiple performances and a panel discussion as well. There are a few details on Nonclassical’s site. Personally I was most interested in the panel discussion, which was interesting, but mostly because of the contributions of Robert Worby from the Langham Research Centre. He had some really useful insights into the practice of field recording. Food for thought.

The performance was a bit of a curate’s egg on the whole. Some very good pieces, some less successful in my opinion. I particularly liked the performance by Li Yilei which I thought integrated field recordings most successfully. Kate Carr’s work was also very good, but it felt like it lacked a direction, or at least it every time it felt like it was going somewhere interesting she changed direction. Just my opinion of course.

The Langham Research Centre was a high point for me and I’m looking forward to listening to more of their work in the coming days.

These kinds of events are few and far between, and for the most part I usually hear about them long after they’ve happened. So I was really glad to actually make it to this. I really enjoyed the whole day, and it was both interesting and inspiring.

Well done to Nonclassical and the Barbican for organising it.

A very small Tangerine Dream exhibition

I was glad to get along to this. I can’t say that I’m a huge fan. In fact, it was really only 2018 when a friend asked me if I wanted to come along and see them live. I went. I was really impressed. It was an amazing night.

Since then I’ve listened to bits and pieces, including, very recently, the entire “In Search of Hades” box set. Which was quite a big thing to listen to. So I thought it would be worth checking this out.

To say that this was a small exhibition would be something of an understatement. It was to be honest, tiny. It is tucked away in the Barbican library music section. Now there’s nothing wrong with that, but I do think that a band of this stature really deserves better. Perhaps something thoughtfully curated. Something that provides a deeper understanding to the music, the ideas behind it, the process itself?

Personally I’d like that. This, at the Barbican, was fine as a taster, but essentially it wasn’t enough. I understand why it was small, but I do think that someone like the Barbican could have done more to make this something to celebrate and show what an enormous contribution this band has made to electronic music specifically, but also to music making and musicians in general.