Once again I visited the Edinburgh Fringe this year. It was, as always, great fun, with some truly excellent shows, and of course, some really quite terrible ones too. But overall it was great.
There were a few shows that stuck out, but only a few. But that’s kind of what matters at the fringe. You find a few things that make you sit up and think, and the rest, whilst fun, is just a part of the trip.
One thing that stood out was a production about Delia Derbyshire, which I quite enjoyed, but I actually knew a lot of the content was before I went to it. It was good to see a show about her anyway, and it was good to see people talking about her work.
Ok, I love Star Trek. That’s only fair to say, but even so, this was a lovely little show. It was fun, poignant, and very well done. It was a one man show, and the one man was one of the actors who was in the Frontier Trilogy. He was excellent.
I’ve no idea if this show will go anywhere else after Edinburgh, but if it does I can thoroughly recommend it.
An interesting show this one. Not perhaps my favourite of 2015, but still good. It was about a guy who was obsessed with Terminator 2. Which was especially interesting as the guy who performed the show was the guy with the obsession!
This was the last in the trilogy and was not only an incredible performance, but also a fantastic story in its own right and a great end to the trilogy itself. If you ever get a chance to see this trilogy I would strongly recommend it.
Under Milk Wood is one of my favourite poems, if not my favourite of all. One of the best live performances of it that I’ve ever seen was by Guy Masterson. I saw it years ago and it was truly brilliant. So I’ve been going to see Guy Masterson every year at Edinburgh to see his shows, and they’ve all been brilliant. But I’ve always wanted to see his Under Milk Wood again.
So when I found that it was on again this year I knew I had to see it, and I did. It was a shortened version, or as he puts it the “Semi Skimmed” version. It was brilliant. Utterly brilliant. A complete joy to watch, and I loved every minute of it.
In fact, I had thought that it couldn’t really get any better than this, until the end when Guy Masterson said that he had CDs of the complete, unabridged performance for sale.
I had to have one, and so I did, but it got even better, because he signed the CD for me, and I got to chat to him, albeit briefly.
I’ve been to see Shakespeare for Breakfast almost every year I’ve been to the Fringe. It’s always amazing. It’s always great fun. This year was no different at all. It was brilliant. It was Hamlet.
Shakespeare for Breakfast is a difficult thing to explain if you’ve never seen it before. It’s Shakespeare, sure, but it isn’t like any kind of Shakespeare you’ve seen before. It’s fun, it’s current, it’s witty and it’s over in an hour. Added to that you get a coffee and a croissant in the bargain. Not bad for the Fringe, not bad at all.
So if you ever go the Fringe you should try out Shakespeare for Breakfast and see if you like it.
Chaplin isn’t the easiest subject to take on in just over an hour, but this small production tried and I think that they did it quite well actually. They told his story very well even though there’s a lot to tell and it was a very complex story indeed. But overall I enjoyed the performance.
This was a great production of the Canterbury Tales. Only a part of it of course as the show was only an hour and a half I think. But it was very well done by a large group of teenagers who I’m pretty sure I saw last year doing The Agamemnon, which was incredible.
I’m a big fan of Guy Masterson’s work. His “Under Milk Wood” was incredible, so when I’m in Edinburgh I always make an effort to see whatever it is that he’s in. This year the only thing that he was doing that coincided with my time at the fringe was “Anthem for a Doomed Youth”. His readings of World War 1 poetry. It was very good. Very powerful, and as always with Guy Masterson, full of emotion and meaning and at times, even humor.
At some point I’d love to see his “Under Milk Wood” again. I really hope he performs it somewhere I can get to at some point.