Last year I skipped record store day as I’d been queuing at Sister Ray Records in Soho for about 3 hours and at the end of the process I’d got 1 7″. That was all. I wasn’t terribly happy about that at all, as you can imagine. So I said to myself that I wouldn’t do it any more. I’d give it up. And I did, I didn’t go in 2017. Then I saw the list for this year, and on it was a David Sylvian album that I really wanted to get, and that I knew I would be really annoyed not to own.
So I decided to do it again. However, as I was going to be out late in London the night before I thought that the most civilised way to accomplish the task was to get a hotel room nearby and stay in town. So I did. I stayed at a very nice hotel on Brick Lane which was very reasonably priced too. It meant I could get up really early and walk down to Rough Trade East before 6am.
And my forward thinking paid off. I was probably around the 100 mark in the queue and got inside at about 8:30am. Not bad. I also got everything that I wanted too.
The most important of course being “Dead Bees on a cake” by Sylvian.
So maybe I will go again next year, at least I’ll give it a chance anyway.
Another track from me that you can now find on Spotify, or Bandcamp, or SoundCloud, so take your pick as to where you listen to it.
The track was made entirely in an iOS app called Auxy, which is one of my favourite apps for writing whole tracks. It’s very intuitive and easy to use, whilst still giving you enough depth to get a lot done.
The track art is a photo I took on a flight home just after leaving Belfast airport. It seemed like the ideal image to go along with the sentiment of the track.
I hope you like both.
I was given this book as a present a while ago. I hadn’t heard about the book, or the recordings before this, so it was a very nice surprise.
I’ve just finished reading the book. It’s short. Very short, but very readable, and very engaging indeed. Bits of it made really me smile, and I can thoroughly recommend it if you’re a fan of Laurie Anderson, or if you appreciate her style of music and performance.
It made me think about what an audio diary or audio journal would be, or indeed should be. It raised some interesting questions about what constitutes meaningful and engaging sound. These are all good questions. I don’t have any answers as yet, but they’re definitely on my mind, and, as and when I do have some answers, I’ll let you know.
It’s a fairly rare MIDI kit for a Casio VL-1. I’m not building it myself, it’s just too fidly, but I have some plans to be able to use a VL-1 over MIDI. We’ll see where that goes.
So I’ve put out a new release on Spotify. It’s called “Found Sounds, Not Replaced“. I hope you like it. It’s only three tracks but I think that they go together quite well.
One of my all time favourite 4th Doctor episodes is “The Robots of Death”. It’s a great story and has some truly fantastic lines. It has been followed up a couple of times as far as I’m aware. One of the follow ups was “Corpse Marker“, a BBC audio book which I was really excited about, but fundamentally didn’t deliver on its promise and was, in the end, a real disappointment.
The next one I’m away of is “Robophobia”, which is a 7th Doctor story from Big Finish. I’m not a big 7th Doctor fan and so I haven’t heard this one. Perhaps I should give it a listen.
Now there’s “Sons of Kaldor”, the first story in the latest season of the 4th Doctor from Big Finish. I was a bit nervous about this story. I didn’t want to face the same disappointment as I had with “Corpse Market“. I didn’t need to worry about that. “Sons of Kaldor” has a very similar tone and pace to the original Robots of Death, it’s been carefully thought through and at its core it’s a good story.
The most important thing is that I really enjoyed it, and it’s a good start to volume one of this season. I’ve now listened to all of the stories and they’re a good bunch, and well worth listening to.
I’ve finally managed to get a release out on Spotify. That is to say, I managed to get it out at the end of last year. It’s called ‘Dream Draw‘. You can have a listen by heading over to Spotify. I hope you like it.
All of the tracks were made on mobile using Aurora Sound Studio on an iPhone and iPad. Various effects were used during the creation of the EP. I quite like it.